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If he played more kick drums or snare hits, it would be too much. Lars Ulrich played sloshy hats with accents on all of the eighth notes and no kick drum variations outside of a few fills. This is the perfect example of the money beat supporting the song. The drums on these early Beatles recordings are not out front or even very clear, so it can be hard to make out the unaccented notes in the hi hat pattern. Ringo chugs along with a shuffled hi hat pattern that is hard to hear. It works great for songs like “Highway to Hell” because it compliments the guitar riff by accenting the ends of the first few rhythms. This groove leads with the kick back to the top of the groove. It’s like the heartbeat groove (see below) that’s been shifted two beats to the right. Phil Rudd plays a money beat with an eighth note on the & of beat 4.
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What makes this groove sound different than other money beats is the crispness of the drums and how the reverb is so subtle yet adds a character and space to the drum mix. His hi hat pattern mostly has accents on the downbeats with the rest of the eighth notes unaccepted. This track was played by Leon Ndugu Chancler. Some drummers play it with accents on the hi hats like Phil Rudd on “Highway to Hell,” while others play more of a shuffle feel like Ringo Starr on “Help.” “Billy Jean” The money beat comes in different shapes, sizes, and tempos.
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Although, beginners and non-drummers can learn this groove in about two minutes, it takes a mature player to play it in time, with proper dynamics, and to phrase with a song and play the ensemble hits smoothly.
#Basic drum beats demonstration how to
The drummers who know when to play the money beat and how to play fills and variations on the groove will make money, for sure. It’s not easy to make the groove feel great or phrase musically.
#Basic drum beats demonstration professional
In a way, the professional player is making a lot of money for the effort. You will here it on pop, rock, country, heavy metal, and just about any style of music.įrom the drummer’s perspective, it’s an easy groove that supports so many songs very well. It has literally made a lot of money for the music industry. The money beat has been on so many songs and albums. Remember, when you add the drums, they are on the numbered counts. The second cymbal pattern adds a cymbal hit in between each hit in the first pattern. This means you’ll play a cymbal - hi hat, ride, or crash - at the same time as each drum hit. The first basic pattern is a cymbal hit on each beat. Slowly count 1 – 2 – 3 – 4 as you play the drums on the respective beats. The kick drum is on beat 1 and 3, while the snare drum is on beat 2 and 4. If you count to four, you are halfway there. But first, let’s go over how to play the money beat. These songs, and others, are analyzed below. You may recognize the money beat from songs like “Billy Jean” by Michael Jackson or “Highway to Hell” by AC/DC. It’s easy to listen to because everyone knows what comes after the “boom” - yep, the “whack.” The money beat is a basic drum beat that has a “boom” and a “whack.” The boom moves us forward and the whack holds us back, creating a tension and release to which people like to move. But why does this basic drum beat work so well? It’s simplicity and strong backbeat accents have been used to get people to dance more than almost any other other beat. The “money beat” is the first groove most drummers learn to play on the drum set.